Every market it charts in Clear The Fate of Ophelia Taylor Swift
Song page Accent is a market it is climbing in; solid ink is a market it is charting in without a rise we can measure. A song that crawls from one market to its neighbours draws a different picture from one that lands in fifty on the same morning. The picture is the answer.
Market by market br Brazil 06 no Norway 09 my Malaysia 11 es Spain 11 nz New Zealand 13 uy Uruguay 13 au Australia 13 ie Ireland 14 se Sweden 14 de Germany 15 qa Qatar 15 ae United Arab Emirates 16 mx Mexico 16 mm Myanmar 17 at Austria 17 za South Africa 18 cz Czechia 18 id Indonesia 20 nl Netherlands 20 sg Singapore 21 pl Poland 22 np Nepal 22 cl Chile 23 ca Canada 24 ch Switzerland 24 kh Cambodia 24 gb United Kingdom 25 mv Maldives 25 ph Philippines 25 fr France 25 pt Portugal 28 tr Turkey 29 hu Hungary 31 us United States of America 32 sa Saudi Arabia 35 sv El Salvador 36 il Israel 36 dk Denmark 37 si Slovenia 37 be Belgium 38 lu Luxembourg 38 mu Mauritius 40 lk Sri Lanka 41 mt Malta 44 cy Cyprus 45 uz Uzbekistan 45 bh Bahrain 46 gr Greece 47 ar Argentina 47 iq Iraq 48 tn Tunisia 48 ke Kenya 52 fi Finland 52 cr Costa Rica 55 kw Kuwait 56 ua Ukraine 57 fj Fiji 57 om Oman 62 la Laos 66 ee Estonia 68 vn Vietnam 69 lb Lebanon 70 hr Croatia 76 it Italy 78 sk Slovakia 87 dz Algeria 89 ye Yemen 92 ru Russia 97 th Thailand 113 hk HK 123 ug Uganda 157 ro Romania 168 bg Bulgaria 173 pe Peru 181
Playing nowhere else 12 of its top 20 records are charting in no other market we capture.
Fastest risers here Charting here today The Rotation chart → Coverage is uneven and stated rather than smoothed: Spotify reaches 73 markets, Shazam 71 countries and 173 cities, Deezer 70, Boomplay 19, and several markets rest on a single source. An empty market on this globe means we captured nothing there today.
Data: Spotify, Shazam, Apple Music, YouTube · Chart: Rotation